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<channel>
	<title>#LIFF2018 Archives | NICKSAV Film &amp; Music SHOW</title>
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	<description>For filmmakers, musicians, &#38; creative people who do amazing things and want to make the world better in some way.</description>
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		<title>Louisiana International Film Festival Recap #LIFF2018</title>
		<link>https://podcast.nsavides.com/louisiana-international-film-festival-recap-liff2018/</link>
		
		<dc:creator><![CDATA[nsavides]]></dc:creator>
		<pubDate>Wed, 25 Apr 2018 17:06:00 +0000</pubDate>
				<category><![CDATA[festival]]></category>
		<category><![CDATA[film]]></category>
		<category><![CDATA[#LIFF2018]]></category>
		<category><![CDATA[Baton Rouge]]></category>
		<category><![CDATA[film festival]]></category>
		<category><![CDATA[Louisiana]]></category>
		<category><![CDATA[New Orleans]]></category>
		<guid isPermaLink="false">http://podcast.nsavides.com/?p=1952</guid>

					<description><![CDATA[<p>This year, I had the chance to interview several filmmakers screening films at the Louisiana International Film Festival.  On this episode, I recap some of those interviews and share some of my experiences and takeaways from LIFF2018. Here are my prior interviews from #LIFF2018. On the recap below, I share some of the highlights from each [&#8230;]</p>
<p>The post <a href="https://podcast.nsavides.com/louisiana-international-film-festival-recap-liff2018/">Louisiana International Film Festival Recap #LIFF2018</a> appeared first on <a href="https://podcast.nsavides.com">NICKSAV Film &amp; Music SHOW</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>This year, I had the chance to interview several filmmakers screening films at the Louisiana International Film Festival.  On this episode, I recap some of those interviews and share some of my experiences and takeaways from LIFF2018.</p>
<p><img data-recalc-dims="1" fetchpriority="high" decoding="async" data-attachment-id="1953" data-permalink="https://podcast.nsavides.com/louisiana-international-film-festival-recap-liff2018/liff2018-recap/" data-orig-file="https://i0.wp.com/podcast.nsavides.com/wp-content/uploads/2018/04/LIFF2018-recap.png?fit=973%2C469&amp;ssl=1" data-orig-size="973,469" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}" data-image-title="LIFF2018-recap" data-image-description="" data-image-caption="" data-medium-file="https://i0.wp.com/podcast.nsavides.com/wp-content/uploads/2018/04/LIFF2018-recap.png?fit=300%2C145&amp;ssl=1" data-large-file="https://i0.wp.com/podcast.nsavides.com/wp-content/uploads/2018/04/LIFF2018-recap.png?fit=973%2C469&amp;ssl=1" class="alignnone size-full wp-image-1953" src="https://i0.wp.com/podcast.nsavides.com/wp-content/uploads/2018/04/LIFF2018-recap.png?resize=973%2C469" alt="Louisiana International Film Festival 2018 podcast recap" width="973" height="469" srcset="https://i0.wp.com/podcast.nsavides.com/wp-content/uploads/2018/04/LIFF2018-recap.png?w=973&amp;ssl=1 973w, https://i0.wp.com/podcast.nsavides.com/wp-content/uploads/2018/04/LIFF2018-recap.png?resize=300%2C145&amp;ssl=1 300w" sizes="(max-width: 973px) 100vw, 973px" />Here are my <a href="http://podcast.nsavides.com/?s=%23LIFF2018">prior interviews from #LIFF2018</a>. On the recap below, I share some of the highlights from each interview, what it was like getting to screen my short at the festival, and some of the new discoveries and filmmaking observations, and life lessons I learned while attending.</p>
<p>Films from LIFF2018 that I discuss on this episode include</p>
<ul>
<li><em>1000 Year Flood</em></li>
<li><em>And Then I Go </em></li>
<li><em>Blaze </em></li>
<li><em>Brimstone &amp; Glory </em></li>
<li><em>Cut Off </em></li>
<li><em>Do U Want It </em></li>
<li><em>Gabriel &amp; the Mountain </em></li>
<li><em>Hearts Beat Loud</em></li>
<li><em>Larger Than Life: The Kevin Aucoin Story</em></li>
<li><em>Mixed Signals </em>(short)</li>
<li><em>Mr. United States </em>(short)</li>
<li><em>Stay Woke </em>(short)</li>
<li><em>Stuck</em></li>
<li><em>Tinker</em></li>
<li><em>Through the Banks of the Red Cedar</em></li>
</ul>

<p>Want to learn more about one of the bands that played at the festival? Then check out this <a href="http://podcast.nsavides.com/ns11">interview I did with Peter Simon</a>, the lead singer of Minos the Saint, which was one of the bands that played at LIFF&#8217;s Filmmaker Lounge this year.</p>
<p><iframe style="border: none;" src="//html5-player.libsyn.com/embed/episode/id/2676725/height/90/theme/custom/autoplay/no/autonext/no/thumbnail/yes/preload/no/no_addthis/no/direction/backward/render-playlist/no/custom-color/4f85b7/" width="100%" height="90" scrolling="no" allowfullscreen="allowfullscreen"></iframe></p>
<p>&nbsp;</p>
<div>
<div>
<h2>Sponsor for this Episode</h2>
</div>
<div>
<div><span style="color: #ff0000;"><strong>nsavides productions</strong> </span>– I make videos and tell stories. My new video portfolio is <a href="http://video.nsavides.com/">here</a>!</div>
<div>
<div><span style="color: #ffffff;">#</span></div>
<div>
<div>My short film <em>Mixed Signals </em>premiered at <a href="https://www.lifilmfest.org/schedule/">LIFF 2018</a> on April 21.</div>
</div>
</div>
<div></div>
<div>
<div>
<div>
<div><span style="color: #ffffff;"><img data-recalc-dims="1" decoding="async" data-attachment-id="1896" data-permalink="https://podcast.nsavides.com/how-to-tell-a-nuanced-school-shooting-story-liff2018/mixed-signals-credits/" data-orig-file="https://i0.wp.com/podcast.nsavides.com/wp-content/uploads/2018/04/Mixed-Signals-Credits-e1524005695895.png?fit=601%2C338&amp;ssl=1" data-orig-size="601,338" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}" data-image-title="Mixed-Signals-Credits" data-image-description="" data-image-caption="" data-medium-file="https://i0.wp.com/podcast.nsavides.com/wp-content/uploads/2018/04/Mixed-Signals-Credits-e1524005695895.png?fit=300%2C169&amp;ssl=1" data-large-file="https://i0.wp.com/podcast.nsavides.com/wp-content/uploads/2018/04/Mixed-Signals-Credits-e1524005695895.png?fit=1024%2C576&amp;ssl=1" class="alignnone wp-image-1896 size-full" src="https://i0.wp.com/podcast.nsavides.com/wp-content/uploads/2018/04/Mixed-Signals-Credits-e1524005695895.png?resize=601%2C338" alt="Mixed Signals directed by Nick Savides at LIFF 2018" width="601" height="338" />#</span></div>
<p>Say hello: <a>p&#111;&#100;&#99;ast&#64;nsa&#118;i&#100;&#101;&#115;&#46;&#99;om</a></p>
<p><span style="color: #ffffff;">#</span></p>
</div>
</div>
<div>
<h2>Related Things</h2>
</div>
</div>
</div>
</div>
<div>
<p><img data-recalc-dims="1" loading="lazy" decoding="async" data-attachment-id="1958" data-permalink="https://podcast.nsavides.com/louisiana-international-film-festival-recap-liff2018/liffheadquarters/" data-orig-file="https://i0.wp.com/podcast.nsavides.com/wp-content/uploads/2018/04/LIFFheadquarters.png?fit=520%2C390&amp;ssl=1" data-orig-size="520,390" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}" data-image-title="LIFFheadquarters" data-image-description="" data-image-caption="" data-medium-file="https://i0.wp.com/podcast.nsavides.com/wp-content/uploads/2018/04/LIFFheadquarters.png?fit=300%2C225&amp;ssl=1" data-large-file="https://i0.wp.com/podcast.nsavides.com/wp-content/uploads/2018/04/LIFFheadquarters.png?fit=520%2C390&amp;ssl=1" class="alignnone size-full wp-image-1958" src="https://i0.wp.com/podcast.nsavides.com/wp-content/uploads/2018/04/LIFFheadquarters.png?resize=520%2C390" alt="Louisiana International Film Festival headquarters" width="520" height="390" srcset="https://i0.wp.com/podcast.nsavides.com/wp-content/uploads/2018/04/LIFFheadquarters.png?w=520&amp;ssl=1 520w, https://i0.wp.com/podcast.nsavides.com/wp-content/uploads/2018/04/LIFFheadquarters.png?resize=300%2C225&amp;ssl=1 300w" sizes="auto, (max-width: 520px) 100vw, 520px" /></p>
<p><em>LIFF headquarters at Perkins Rowe during the festival</em></p>
<p><span style="color: #ffffff;">#</span></p>
<ul>
<li><a href="http://lifilmfest.org"><b>LIFF 2018</b></a></li>
<li>Festival winners (everything except the Dan Ireland award was selected by the audience)
<ul>
<li>Dan Ireland New Voices/New Visions Award &#8211; Stealing Rodin</li>
<li>Best Narrative Feature &#8211; <i style="font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;">Streaker</i></li>
<li>Best Documentary Feature &#8211; <i style="font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;">Sammy Davis, Jr.: I Gotta Be Me </i></li>
<li>Best Louisiana Narrative Feature &#8211; <i style="font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;">Blaze</i><span style="font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;"> </span></li>
<li>Best Louisiana Documentary Feature &#8211; <i style="font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;">Larger Than Life: The Kevin Aucoin Story</i></li>
<li>Best International Short Film &#8211; <i style="font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;">Newborn</i></li>
<li>Best Louisiana Short Film &#8211; <i style="font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;">Headless Swans</i></li>
<li>Best Mature Animated Short &#8211;  <i style="font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;">Your Black Friend </i></li>
</ul>
</li>
<li>Past #LIFF2018 interviews, arranged by film
<ul>
<li><em><a href="http://podcast.nsavides.com/how-to-tell-a-nuanced-school-shooting-story-liff2018/">And Then I Go</a>, </em>director Vincent Grashaw</li>
<li><em><a href="http://podcast.nsavides.com/brimstone-glory-documentary-fireworks-danger-filmmaker-viktor-jakovleski-liff2018/">Brimstone &amp; Glory</a>,</em> director Viktor Jakovleski</li>
<li><a href="http://podcast.nsavides.com/kevyn-aucoin-complicated-makeup-artist-celebrity-liff2018/"><em>Larger Than Life: The Kevin Aucoin Story</em></a>, director Tiffany Bartok</li>
<li><strong><a href="http://podcast.nsavides.com/louisiana-live-action-shorts-liff2018/">Louisiana Live-Action Shorts</a></strong>, filmmakers from <em>An Aria for Albrights, Breath, Death of an Umbrella Salesman, Mixed Signals </em>(my short)<em>, Mr. United States, Seed of the Free </em></li>
<li><strong><a href="http://podcast.nsavides.com/how-college-football-got-past-segregation-with-director-maya-washington-liff2018/"><em>Through the Banks of the Red Cedar</em></a></strong>, director Maya Washington</li>
<li><a href="http://podcast.nsavides.com/how-100000-kickstarter-campaign-became-crowd-pleasing-sci-fi/"><em>Tinker</em></a>, producer Tom Bhramayana</li>
</ul>
</li>
<li>My <a href="http://blog.nsavides.com/2013/03/23/misadventures-and-modest-proposals-from-sxsw/">first visit to SXSW</a></li>
<li>My <a href="http://podcast.nsavides.com/sxsw-2018-recap/">recap of SXSW 2018</a></li>
<li>Shortcut for the podcast: <a href="http://nicksav.show">nicksav.show</a></li>
</ul>
</div>
<div>
<p>Music for the show provided by <a href="https://www.robcostlow.com">Rob Costlow</a>.</p>
</div>
<p><span style="color: #ffffff;">#</span></p>
<h2>Other Films &amp; Shows Mentioned</h2>
<ul>
<li><em>Breaking Bad</em></li>
<li><em>Gunslinger</em></li>
<li><em>Godfather</em></li>
<li><em>Home Remedy</em> (web series)</li>
<li><em>Lost</em></li>
</ul>
<p><span style="color: #ffffff;"><em>#</em></span></p>
<h2>Bands &amp; Musicians Mentioned</h2>
<ul>
<li>Minos the Saint</li>
<li>Pappa Grows Funk</li>
<li>Ryan Harris</li>
</ul>
<p><span style="color: #ffffff;">#</span></p>
<div>
<h2>If You Liked the Show</h2>
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<p>&nbsp;</p>
<p>The post <a href="https://podcast.nsavides.com/louisiana-international-film-festival-recap-liff2018/">Louisiana International Film Festival Recap #LIFF2018</a> appeared first on <a href="https://podcast.nsavides.com">NICKSAV Film &amp; Music SHOW</a>.</p>
]]></content:encoded>
					
		
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		<post-id xmlns="com-wordpress:feed-additions:1">1952</post-id>	</item>
		<item>
		<title>How $100,000 Kickstarter Campaign Became Crowd-Pleasing Sci-Fi #LIFF2018</title>
		<link>https://podcast.nsavides.com/how-100000-kickstarter-campaign-became-crowd-pleasing-sci-fi/</link>
		
		<dc:creator><![CDATA[nsavides]]></dc:creator>
		<pubDate>Sun, 22 Apr 2018 16:29:38 +0000</pubDate>
				<category><![CDATA[festival]]></category>
		<category><![CDATA[film]]></category>
		<category><![CDATA[#LIFF2018]]></category>
		<category><![CDATA[effects]]></category>
		<category><![CDATA[fundraising]]></category>
		<category><![CDATA[producer]]></category>
		<category><![CDATA[sci-fi]]></category>
		<category><![CDATA[Tinker]]></category>
		<guid isPermaLink="false">http://podcast.nsavides.com/?p=1946</guid>

					<description><![CDATA[<p>My coverage of LIFF2018 continues with Tinker producer Tom Bhramayana.  Tinker is a sci-fi film that started as Kickstarter campaign which brought in over $100,000. A few year later, it has won 19 best-of awards at festivals around the country, and all three screenings at this year&#8217;s Louisiana International Film Festival have sold out. The term producer has many [&#8230;]</p>
<p>The post <a href="https://podcast.nsavides.com/how-100000-kickstarter-campaign-became-crowd-pleasing-sci-fi/">How $100,000 Kickstarter Campaign Became Crowd-Pleasing Sci-Fi #LIFF2018</a> appeared first on <a href="https://podcast.nsavides.com">NICKSAV Film &amp; Music SHOW</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>My coverage of LIFF2018 continues with<i><strong> Tinker </strong></i>producer <strong>Tom Bhramayana</strong>.<i> </i><b><i> </i></b>Tinker is a sci-fi film that started as Kickstarter campaign which brought in over $100,000. A few year later, it has won 19 best-of awards at festivals around the country, and all three screenings at this year&#8217;s Louisiana International Film Festival have sold out.</p>
<p><img data-recalc-dims="1" loading="lazy" decoding="async" data-attachment-id="1947" data-permalink="https://podcast.nsavides.com/how-100000-kickstarter-campaign-became-crowd-pleasing-sci-fi/tom-bhramayana-tinker-producer/" data-orig-file="https://i0.wp.com/podcast.nsavides.com/wp-content/uploads/2018/04/Tom-Bhramayana-Tinker-producer.png?fit=973%2C469&amp;ssl=1" data-orig-size="973,469" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}" data-image-title="Tom-Bhramayana-Tinker-producer" data-image-description="" data-image-caption="" data-medium-file="https://i0.wp.com/podcast.nsavides.com/wp-content/uploads/2018/04/Tom-Bhramayana-Tinker-producer.png?fit=300%2C145&amp;ssl=1" data-large-file="https://i0.wp.com/podcast.nsavides.com/wp-content/uploads/2018/04/Tom-Bhramayana-Tinker-producer.png?fit=973%2C469&amp;ssl=1" class="alignnone size-full wp-image-1947" src="https://i0.wp.com/podcast.nsavides.com/wp-content/uploads/2018/04/Tom-Bhramayana-Tinker-producer.png?resize=973%2C469" alt="Tom Bhramayana producer of sci-fi-film Tinker podcast interview" width="973" height="469" srcset="https://i0.wp.com/podcast.nsavides.com/wp-content/uploads/2018/04/Tom-Bhramayana-Tinker-producer.png?w=973&amp;ssl=1 973w, https://i0.wp.com/podcast.nsavides.com/wp-content/uploads/2018/04/Tom-Bhramayana-Tinker-producer.png?resize=300%2C145&amp;ssl=1 300w" sizes="auto, (max-width: 973px) 100vw, 973px" />The term producer has many connotations, but Tom wasn&#8217;t just in charge of getting the money. He was also one of the writers, did a voice-over for one of the character, and his other on-screen credits include unit production manager, line producer, travel coordinator, assistant editor, props, locations, and cast.  All that to say, Tom has been intimately involved with <em>Tinker</em> from pre-production to post and foreign sales, and he offered lots of helpful filmmaking insights when we spoke a few days ago.</p>
<blockquote><p><em><span style="color: #808080;"><span style="color: #3366ff;">It doesn&#8217;t matter what your belief is, it doesn&#8217;t matter how you were raised, who you are, if you help people, anybody can do the smallest things and make a big difference in someone&#8217;s life.</span>&#8221; &#8211; Tom Bhramayana</span></em></p></blockquote>
<p>My <a href="http://podcast.nsavides.com/?s=%23LIFF2018">coverage of #LIFF2018</a> continues with this interview I did with<strong> </strong>Tom Bhramayana. Some of the things that we discuss include</p>
<ul>
<li>How the filmmakers behind <em>Tinker</em> were able to raise over $100,000 in their first Kickstarter campaign</li>
<li>The way the filmmaking team shot the film in spurts that were months apart</li>
<li>How feedback from festivals helped them to refine their film and increase their festival acceptance rate</li>
<li>What the visual-effects process was like</li>
<li>What goes into developing a DCP that can be screened in theaters</li>
<li>How the film was budgeted and how Tom anticipates they will make a profit from VOD and foreign sales</li>
</ul>

<p>&nbsp;</p>
<div>
<div>
<h2>Sponsor for this Episode</h2>
</div>
<div>
<div><span style="color: #ff0000;"><strong>nsavides productions</strong> </span>– I make videos and tell stories. My new video portfolio is <a href="http://video.nsavides.com/">here</a>!</div>
<div>
<div><span style="color: #ffffff;">#</span></div>
<div>
<div>My short film <em>Mixed Signals </em>premieres at <a href="http://lifilmfest.org/">LIFF 2018</a> on April 21.</div>
</div>
</div>
<div></div>
<div>
<div>
<div>
<div><span style="color: #ffffff;"><img data-recalc-dims="1" loading="lazy" decoding="async" data-attachment-id="1896" data-permalink="https://podcast.nsavides.com/how-to-tell-a-nuanced-school-shooting-story-liff2018/mixed-signals-credits/" data-orig-file="https://i0.wp.com/podcast.nsavides.com/wp-content/uploads/2018/04/Mixed-Signals-Credits-e1524005695895.png?fit=601%2C338&amp;ssl=1" data-orig-size="601,338" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}" data-image-title="Mixed-Signals-Credits" data-image-description="" data-image-caption="" data-medium-file="https://i0.wp.com/podcast.nsavides.com/wp-content/uploads/2018/04/Mixed-Signals-Credits-e1524005695895.png?fit=300%2C169&amp;ssl=1" data-large-file="https://i0.wp.com/podcast.nsavides.com/wp-content/uploads/2018/04/Mixed-Signals-Credits-e1524005695895.png?fit=1024%2C576&amp;ssl=1" class="alignnone wp-image-1896 size-full" src="https://i0.wp.com/podcast.nsavides.com/wp-content/uploads/2018/04/Mixed-Signals-Credits-e1524005695895.png?resize=601%2C338" alt="Mixed Signals directed by Nick Savides at LIFF 2018" width="601" height="338" />#</span></div>
<p>Say hello: <a>p&#111;dcast&#64;&#110;sav&#105;&#100;e&#115;&#46;com</a></p>
<p><span style="color: #ffffff;">#</span></p>
</div>
</div>
<div>
<h2>Related Things</h2>
</div>
</div>
</div>
</div>
<div>
<ul>
<li><a href="http://lifilmfest.org"><b>LIFF 2018 </b></a></li>
<li><b>Tom Bhramayana </b>on <a href="https://www.imdb.com/name/nm4239877/?ref_=fn_al_nm_1">IMDb</a></li>
<li><a href="http://www.tinkerthemovie.com"><em>Tinker</em></a>
<ul>
<li><a href="https://www.facebook.com/TinkertheMovie">Facebook</a>, <a href="https://twitter.com/TinkerMovie">Twitter</a></li>
</ul>
</li>
<li>Tom used a RAID 5 from<a href="https://www.synology.com/en-us"> Synology</a> to back up data from the film</li>
<li><em><a href="https://www.google.com/url?sa=t&amp;rct=j&amp;q=&amp;esrc=s&amp;source=web&amp;cd=1&amp;cad=rja&amp;uact=8&amp;ved=0ahUKEwj98vinos7aAhUHXK0KHdyhDs4QFggsMAA&amp;url=https%3A%2F%2Fdcpomatic.com%2F&amp;usg=AOvVaw2-7JoHMpmAMcbnUZy8MUsP">DCP-o-matic</a>, </em>the program that Tom used to create a DCP of <em>Tinker</em></li>
<li>Shortcut for the podcast: <a href="http://nicksav.show">nicksav.show</a></li>
</ul>
</div>
<div>
<p>Music for the show provided by <a href="https://www.robcostlow.com">Rob Costlow</a>.</p>
</div>
<p><span style="color: #ffffff;">#</span></p>
<h2>Films Mentioned</h2>
<ul>
<li><em>Dallas Buyers Club</em></li>
<li><em>Mixed Signals </em>(short)</li>
<li><em>A River Runs Through It</em></li>
<li><em>Sling Blade</em></li>
<li><em>Tinker </em></li>
<li><em>Trent’s War </em>(short)</li>
</ul>
<p><span style="color: #ffffff;"><em>#</em></span></p>
<div>
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<p>Thank you for visiting!</p>
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<p>&nbsp;</p>
<p>The post <a href="https://podcast.nsavides.com/how-100000-kickstarter-campaign-became-crowd-pleasing-sci-fi/">How $100,000 Kickstarter Campaign Became Crowd-Pleasing Sci-Fi #LIFF2018</a> appeared first on <a href="https://podcast.nsavides.com">NICKSAV Film &amp; Music SHOW</a>.</p>
]]></content:encoded>
					
		
		<enclosure url="http://traffic.libsyn.com/nsavides/Tom-Bhramayana-producer-writer-from-kickstarter-to-sci-fi-film.mp3" length="0" type="audio/mpeg" />

		<post-id xmlns="com-wordpress:feed-additions:1">1946</post-id>	</item>
		<item>
		<title>Louisiana Live-Action Shorts #LIFF2018</title>
		<link>https://podcast.nsavides.com/louisiana-live-action-shorts-liff2018/</link>
		
		<dc:creator><![CDATA[nsavides]]></dc:creator>
		<pubDate>Fri, 20 Apr 2018 16:55:23 +0000</pubDate>
				<category><![CDATA[festival]]></category>
		<category><![CDATA[film]]></category>
		<category><![CDATA[#LIFF2018]]></category>
		<category><![CDATA[Louisiana]]></category>
		<category><![CDATA[short films]]></category>
		<guid isPermaLink="false">http://podcast.nsavides.com/?p=1935</guid>

					<description><![CDATA[<p>My coverage of this year&#8217;s Louisiana International Film Festival continues as I talk to some of the filmmakers showing work at the Louisiana Live Action Shorts block on Saturday April 21, at 9:30 AM. This episode includes interviews with Steve Herold, the director of Death of an Umbrella Salesman, a character-driven comedy that pays homage to [&#8230;]</p>
<p>The post <a href="https://podcast.nsavides.com/louisiana-live-action-shorts-liff2018/">Louisiana Live-Action Shorts #LIFF2018</a> appeared first on <a href="https://podcast.nsavides.com">NICKSAV Film &amp; Music SHOW</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>My coverage of this year&#8217;s Louisiana International Film Festival continues as I talk to some of the filmmakers showing work at the <b>Louisiana Live Action Shorts</b> block on Saturday April 21, at 9:30 AM.</p>
<p><img data-recalc-dims="1" loading="lazy" decoding="async" data-attachment-id="1936" data-permalink="https://podcast.nsavides.com/louisiana-live-action-shorts-liff2018/liff-shorts/" data-orig-file="https://i0.wp.com/podcast.nsavides.com/wp-content/uploads/2018/04/LIFF-Shorts.png?fit=973%2C469&amp;ssl=1" data-orig-size="973,469" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}" data-image-title="LIFF-Shorts" data-image-description="" data-image-caption="" data-medium-file="https://i0.wp.com/podcast.nsavides.com/wp-content/uploads/2018/04/LIFF-Shorts.png?fit=300%2C145&amp;ssl=1" data-large-file="https://i0.wp.com/podcast.nsavides.com/wp-content/uploads/2018/04/LIFF-Shorts.png?fit=973%2C469&amp;ssl=1" class="alignnone wp-image-1936 size-full" src="https://i0.wp.com/podcast.nsavides.com/wp-content/uploads/2018/04/LIFF-Shorts.png?resize=973%2C469" alt="Louisiana Life-Action Shorts podcast coverage" width="973" height="469" srcset="https://i0.wp.com/podcast.nsavides.com/wp-content/uploads/2018/04/LIFF-Shorts.png?w=973&amp;ssl=1 973w, https://i0.wp.com/podcast.nsavides.com/wp-content/uploads/2018/04/LIFF-Shorts.png?resize=300%2C145&amp;ssl=1 300w" sizes="auto, (max-width: 973px) 100vw, 973px" />This episode includes interviews with</p>
<ul>
<li>
<div><b>Steve Herold</b>, the director of <i>Death of an Umbrella Salesman</i>, a character-driven comedy that pays homage to the comedies of an earlier era</div>
</li>
<li>
<div><b>Jency Griffin Hogan</b>, the director of the film <i>Seed of the Free, </i>which tells the story of a critical moment in the life of Sojourner Truth, an African-American abolitionist and women’s rights activist from the 1800s.</div>
</li>
<li><b>Paul Catalanotto</b>, director of the short doc <i>Mr. United States</i>, which profiles Avery D. Wilson who was selected to be Mr. Louisiana and then Mr. United States in 2016</li>
<li><b>Shanna Forrestall</b>, the actress, producer, writer of <i>Breath</i>, a dialogue-free short film about someone trying to overcome a sense of loss while creating art amidst a stirring mountain vista.</li>
<li><b>Alexander Jeffery</b>, the filmmaker behind <i>An Aria for Albrights</i>, a short film about a young girl who tries to rediscover her musical voice after the death of her grandfather</li>
</ul>
<p>My short film<i> Mixed Signals</i> is also in the film block, so I also discuss some the lessons I learned in making it.</p>

<p>Once again, the Louisiana Live-Action Shorts block will be playing at #LIFF2018 on <b>Saturday</b><strong>, April 20</strong> at 9:30 AM. Tickets are available through <a href="https://tickets.vendini.com/ticket-software.html?t=tix&amp;w=2682f3128d3304c802ec59581b71be0e&amp;vqitq=a6cc6a22-3f55-4c61-8395-2782516ff143&amp;vqitp=447997d9-9e91-4ef1-89a7-a292d0966ad1&amp;vqitts=1523675851&amp;vqitc=vendini&amp;vqite=itl&amp;vqitrt=Safetynet&amp;vqith=f00bdf5d0ef665523c21a8324b0d14a1">LIFF&#8217;s website</a>.</p>
<p><span style="color: #ffffff;">#</span></p>
<div>
<div>
<h2>Sponsor for this Episode</h2>
</div>
<div>
<div><span style="color: #ff0000;"><strong>nsavides productions</strong> </span>– I make videos and tell stories. My new video portfolio is <a href="http://video.nsavides.com/">here</a>!</div>
<div>
<div><span style="color: #ffffff;">#</span></div>
<div>
<div>My short film <em>Mixed Signals </em>premieres at <a href="http://lifilmfest.org/">LIFF 2018</a> on April 21.</div>
</div>
</div>
<div></div>
<div>
<div>
<div><img data-recalc-dims="1" loading="lazy" decoding="async" data-attachment-id="1896" data-permalink="https://podcast.nsavides.com/how-to-tell-a-nuanced-school-shooting-story-liff2018/mixed-signals-credits/" data-orig-file="https://i0.wp.com/podcast.nsavides.com/wp-content/uploads/2018/04/Mixed-Signals-Credits-e1524005695895.png?fit=601%2C338&amp;ssl=1" data-orig-size="601,338" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}" data-image-title="Mixed-Signals-Credits" data-image-description="" data-image-caption="" data-medium-file="https://i0.wp.com/podcast.nsavides.com/wp-content/uploads/2018/04/Mixed-Signals-Credits-e1524005695895.png?fit=300%2C169&amp;ssl=1" data-large-file="https://i0.wp.com/podcast.nsavides.com/wp-content/uploads/2018/04/Mixed-Signals-Credits-e1524005695895.png?fit=1024%2C576&amp;ssl=1" class="alignnone size-full wp-image-1896" src="https://i0.wp.com/podcast.nsavides.com/wp-content/uploads/2018/04/Mixed-Signals-Credits-e1524005695895.png?resize=601%2C338" alt="" width="601" height="338" /></div>
<p>Say hello: <a>po&#100;&#99;a&#115;t&#64;&#110;sav&#105;de&#115;&#46;c&#111;m</a></p>
<p><span style="color: #ffffff;">#</span></p>
</div>
<div>
<h2>Related Things</h2>
</div>
</div>
</div>
</div>
<div>
<ul>
<li><a href="http://lifilmfest.org"><b>LIFF 2018</b></a></li>
<li>Steve’s <a href="http://jointfilms.com">site</a>, <a href="https://www.facebook.com/umbrellashortfilm"><i>Death of an Umbrella Salesman</i></a></li>
<li>
<div>Jency’s <a href="https://www.jencyghogan.com">site</a>, <a href="https://www.facebook.com/seedofthefree/"><i>Seed of the Free</i></a></div>
</li>
<li>Paul’s <a href="https://www.theuntitledfilms.com">site</a>, <a href="http://www.imdb.com/title/tt7874606/"><i>Mr. United States</i></a>
<ul>
<li><a href="https://www.averydwilson.com">Avery D. Wilson</a></li>
</ul>
</li>
<li>
<div>Shanna’s <a href="Http://www.forrestallconsulting.com">site</a>, <a href="https://www.facebook.com/BreatheFilmTherapy"><i>Breathe</i></a></div>
</li>
<li>Alexander’s <a href="https://vimeo.com/alexanderjeffery">site</a>, <a href="https://www.facebook.com/ariaforalbrights/"><i>An Aria for Albrights</i></a>
<ul>
<li><a href="http://www.eldofilmfest.com">El Dorado Film Festival,</a> <a href="https://www.shortoftheweek.com">shortoftheweek.com</a></li>
</ul>
</li>
<li>My interview with the <a href="http://podcast.nsavides.com/lindsayDoran">producer from <i>Sense &amp; Sensibility</i></a> that I mentioned during my conversation with Jency</li>
<li>The stunt coordinator and one of the actors in my short <i>Mixed Signals</i> is Jay Caputo. In this <a href="http://podcast.nsavides.com/ns2">podcast interview with him</a>, we discuss his work as a stuntman on projects like <em>Planet of the Apes</em>, <em>Pirates of the Caribbean</em>, and <em>The Amazing Spider-Man</em></li>
<li>Shortcut for the podcast where you can find <b>more coverage from #LIFF2018:</b> <a href="http://nicksav.show">nicksav.show</a></li>
</ul>
</div>
<div>
<p>Additional music for the show provided by <a href="https://www.robcostlow.com">Rob Costlow</a>.</p>
</div>
<p><span style="color: #ffffff;"><span style="caret-color: #ffffff;">#</span></span></p>
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<p>The post <a href="https://podcast.nsavides.com/louisiana-live-action-shorts-liff2018/">Louisiana Live-Action Shorts #LIFF2018</a> appeared first on <a href="https://podcast.nsavides.com">NICKSAV Film &amp; Music SHOW</a>.</p>
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		<title>Brimstone &#038; Glory: Doc on Fireworks &#038; Danger! #LIFF2018</title>
		<link>https://podcast.nsavides.com/brimstone-glory-documentary-fireworks-danger-filmmaker-viktor-jakovleski-liff2018/</link>
		
		<dc:creator><![CDATA[nsavides]]></dc:creator>
		<pubDate>Wed, 18 Apr 2018 19:25:18 +0000</pubDate>
				<category><![CDATA[festival]]></category>
		<category><![CDATA[film]]></category>
		<category><![CDATA[#LIFF2018]]></category>
		<category><![CDATA[Brimstone & Glory]]></category>
		<category><![CDATA[Department of Motion Pictures]]></category>
		<category><![CDATA[documentary]]></category>
		<category><![CDATA[Viktor Jakovleski]]></category>
		<guid isPermaLink="false">http://podcast.nsavides.com/?p=1924</guid>

					<description><![CDATA[<p>Brimstone &#38; Glory is a documentary produced by the Department of Motion Pictures that tells the story of Tultepec, a town in Mexico dedicated to the making and celebration of fireworks. It&#8217;s a poetic, visually stunning film that the National Board of Review recognized as one of the top five documentaries of 2017, and it [&#8230;]</p>
<p>The post <a href="https://podcast.nsavides.com/brimstone-glory-documentary-fireworks-danger-filmmaker-viktor-jakovleski-liff2018/">Brimstone &#038; Glory: Doc on Fireworks &#038; Danger! #LIFF2018</a> appeared first on <a href="https://podcast.nsavides.com">NICKSAV Film &amp; Music SHOW</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p><em><strong>Brimstone &amp; Glory</strong></em> is a documentary produced by the Department of Motion Pictures that tells the story of Tultepec, a town in Mexico dedicated to the making and celebration of fireworks. It&#8217;s a poetic, visually stunning film that the National Board of Review recognized as one of the top five documentaries of 2017, and it is screening at this year&#8217;s Louisiana International Film Festival.</p>
<p><img data-recalc-dims="1" loading="lazy" decoding="async" data-attachment-id="1927" data-permalink="https://podcast.nsavides.com/brimstone-glory-documentary-fireworks-danger-filmmaker-viktor-jakovleski-liff2018/viktor-jakovleski/" data-orig-file="https://i0.wp.com/podcast.nsavides.com/wp-content/uploads/2018/04/Viktor-Jakovleski.png?fit=973%2C469&amp;ssl=1" data-orig-size="973,469" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}" data-image-title="Viktor-Jakovleski" data-image-description="" data-image-caption="" data-medium-file="https://i0.wp.com/podcast.nsavides.com/wp-content/uploads/2018/04/Viktor-Jakovleski.png?fit=300%2C145&amp;ssl=1" data-large-file="https://i0.wp.com/podcast.nsavides.com/wp-content/uploads/2018/04/Viktor-Jakovleski.png?fit=973%2C469&amp;ssl=1" class="alignnone size-full wp-image-1927" src="https://i0.wp.com/podcast.nsavides.com/wp-content/uploads/2018/04/Viktor-Jakovleski.png?resize=973%2C469" alt="filmmaker Viktor Jakovleski on directing Brimstone &amp; Glory, a podcast interview" width="973" height="469" srcset="https://i0.wp.com/podcast.nsavides.com/wp-content/uploads/2018/04/Viktor-Jakovleski.png?w=973&amp;ssl=1 973w, https://i0.wp.com/podcast.nsavides.com/wp-content/uploads/2018/04/Viktor-Jakovleski.png?resize=300%2C145&amp;ssl=1 300w" sizes="auto, (max-width: 973px) 100vw, 973px" />Director <strong>Viktor Jakovleski</strong> initially conceived of the film as something that he would produce and his friend and colleague Benh Zeitlin (<em>Beasts of the Southern Wild) </em>would direct. As the concept developed though, Benh decided to come onboard as producer and composer so that Viktor could direct it. My <a href="http://podcast.nsavides.com/?s=%23LIFF2018">coverage of #LIFF2018</a> continues with this interview I did with Viktor.</p>
<blockquote><p><em><span style="color: #3366ff;">The two places in the world that I&#8217;ve seen where people love to celebrate the most are in  New Orleans and Mexico.</span><span style="color: #808080;">&#8221; &#8211; Viktor Jakovleski</span></em></p></blockquote>
<p>Some of the things that we discuss include</p>
<ul>
<li>How the film came about because of a coincidental or serendipitous encounter at a party</li>
<li>The distinct shooting style and challenges that arise when shooting with a Phantom camera that can shoot at 1500 frames per second</li>
<li>What it was like collaborating with Benh, who was both a producer and composer on the  project, an unusual combination</li>
<li>Why the documentary is a sort of like a musical and the unique way that the music was developed during post-production</li>
<li>How to approach dangerous things with reverence</li>
</ul>
<p>I continue my coverage of #LIFF2018 with director Viktor Jakovleski:</p>

<p><em>Brimstone &amp; Glory</em> will be playing at #LIFF2018 on <strong>Friday, April 20</strong> at 7:00 PM. Tickets are available through <a href="https://tickets.vendini.com/ticket-software.html?t=tix&amp;w=2682f3128d3304c802ec59581b71be0e&amp;vqitq=a6cc6a22-3f55-4c61-8395-2782516ff143&amp;vqitp=447997d9-9e91-4ef1-89a7-a292d0966ad1&amp;vqitts=1523675851&amp;vqitc=vendini&amp;vqite=itl&amp;vqitrt=Safetynet&amp;vqith=f00bdf5d0ef665523c21a8324b0d14a1">LIFF&#8217;s website</a>.</p>
<p>Want to hear another conversation with someone who makes a living out of living dangerously? Then you might appreciate this <a href="http://podcast.nsavides.com/ns2">podcast interview with Jay Caputo</a>, a stuntman who has worked on projects like <em>Planet of the Apes</em>, <em>Pirates of the Caribbean</em>, and <em>The Amazing Spider-Man.</em></p>
<p><iframe loading="lazy" style="border: none;" src="//html5-player.libsyn.com/embed/episode/id/2435252/height/90/theme/custom/autoplay/no/autonext/no/thumbnail/yes/preload/no/no_addthis/no/direction/backward/render-playlist/no/custom-color/4f85b7/" width="100%" height="90" scrolling="no" allowfullscreen="allowfullscreen"></iframe></p>
<p><span style="color: #ffffff;">#</span></p>
<div>
<div>
<h2>Sponsor for this Episode</h2>
</div>
<div>
<div><span style="color: #ff0000;"><strong>nsavides productions</strong> </span>– I make videos and tell stories. My new video portfolio is <a href="http://video.nsavides.com/">here</a>!</div>
<div>
<div><span style="color: #ffffff;">#</span></div>
<div>
<div>My short film <em>Mixed Signals </em>premieres at <a href="http://lifilmfest.org/">LIFF 2018</a> on April 21.</div>
</div>
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<div></div>
<div>
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<div>
<div><span style="color: #ffffff;"><img data-recalc-dims="1" loading="lazy" decoding="async" data-attachment-id="1896" data-permalink="https://podcast.nsavides.com/how-to-tell-a-nuanced-school-shooting-story-liff2018/mixed-signals-credits/" data-orig-file="https://i0.wp.com/podcast.nsavides.com/wp-content/uploads/2018/04/Mixed-Signals-Credits-e1524005695895.png?fit=601%2C338&amp;ssl=1" data-orig-size="601,338" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}" data-image-title="Mixed-Signals-Credits" data-image-description="" data-image-caption="" data-medium-file="https://i0.wp.com/podcast.nsavides.com/wp-content/uploads/2018/04/Mixed-Signals-Credits-e1524005695895.png?fit=300%2C169&amp;ssl=1" data-large-file="https://i0.wp.com/podcast.nsavides.com/wp-content/uploads/2018/04/Mixed-Signals-Credits-e1524005695895.png?fit=1024%2C576&amp;ssl=1" class="alignnone wp-image-1896 size-full" src="https://i0.wp.com/podcast.nsavides.com/wp-content/uploads/2018/04/Mixed-Signals-Credits-e1524005695895.png?resize=601%2C338" alt="Mixed Signals directed by Nick Savides at LIFF 2018" width="601" height="338" />#</span></div>
<p>Say hello: <a>pod&#99;&#97;&#115;t&#64;nsa&#118;ides.&#99;om</a></p>
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<div>
<h2>Related Things</h2>
</div>
</div>
</div>
</div>
<div>
<ul>
<li><a href="http://lifilmfest.org"><b>LIFF 2018 </b></a></li>
<li><b>Viktor Jakovleski </b>on <a href="https://www.imdb.com/name/nm3300885/?ref_=tt_ov_dr">IMDb</a></li>
<li><a href="https://www.brimstoneandglory.com/"><em>Brimstone &amp; Glory</em></a>
<ul>
<li><a href="https://www.facebook.com/brimstoneandglory/">Facebook</a></li>
</ul>
</li>
<li><a href="http://departmentofmotionpictures.com/">Department of Motion Pictures</a>, the production company behind the film</li>
<li><a href="http://cinereach.org/">Cinereach</a>, the company that helped to finance <em>Brimstone &amp; Glory</em></li>
<li><a href="http://www.phantomhighspeed.com/Products/Phantom-Camera-Products">Phantom cameras</a> that can shoot over 1500 fps</li>
<li>Shortcut for the podcast: <a href="http://nicksav.show">nicksav.show</a></li>
</ul>
</div>
<div>
<p>Additional music for the show provided by <a href="https://www.robcostlow.com">Rob Costlow</a>.</p>
</div>
<p><span style="color: #ffffff;">#</span></p>
<h2>Films Mentioned</h2>
<ul>
<li><em>The Amazing Spider-Man</em></li>
<li><em>Beasts of the Southern Wild</em></li>
<li><em>Brimstone &amp; Glory</em></li>
<li><em>Glory at Sea (short) </em></li>
<li><em>Only Lovers Left Alive</em></li>
<li><em>Mixed Signals (short) </em></li>
<li><em>Pirates of the Caribbean</em></li>
<li><em>Planet of the Apes</em></li>
</ul>
<p><span style="color: #ffffff;">#</span></p>
<h2>Book Mentioned</h2>
<ul>
<li><em>The Labyrinth of Solitude</em></li>
</ul>
<p><span style="color: #ffffff;"><em>#</em></span></p>
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<h2>If You Liked the Show</h2>
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<p>The post <a href="https://podcast.nsavides.com/brimstone-glory-documentary-fireworks-danger-filmmaker-viktor-jakovleski-liff2018/">Brimstone &#038; Glory: Doc on Fireworks &#038; Danger! #LIFF2018</a> appeared first on <a href="https://podcast.nsavides.com">NICKSAV Film &amp; Music SHOW</a>.</p>
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